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| MARK WALLINGER |
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Born in 1959
Lives and works in London |
| 1983-85 |
MA Course, Goldsmith's College, London |
| 1978-81 |
Chelsea School of Art, London |
| 1977-78 |
Loughton College |
| |
|
| 2009 |
Awarded Ebbsfleet Landmark Project Commission |
| 2007 |
Awarded Turner Prize |
| 2003 |
Awarded Honorary Doctorate at University of Central England |
| 2002 |
Awarded Honorary Fellowship of the London Institute |
| 2001-02 |
DAAD Artists Programme, Berlin |
| 1998 |
Henry Moore Fellowship, British School at Rome |
| |
|
| Individual
Exhibitions |
| 2010 |
Mark Wallinger, Kunstnernes Hus, Oslo
Mark Wallinger, Carlier Gebauer, Berlin
Mark Wallinger, Anthony Reynolds Gallery, London |
| 2008 |
Mark Wallinger, Kunstmuseum Aarau, Switzerland
State Britain, MAC/VAL, Vitry-sur-Sein, France |
| 2007 |
State Britain, Tate Britain, London
The End, Carlier Gebauer, Berlin
Mark Wallinger, Kunstverien Braunschweig, Braunschweig
The Human Figure in Motion, Donald Young Gallery, Chicago |
| 2006 |
The End, Anthony Reynolds Gallery, London
Out of Place, New Art Gallery, Walsall
Threshold to the Kingdom, Convent of St. Agnes of Bohemia, National Gallery, Prague |
| 2005 |
Museo de Arte Carillo Gil, Mexico City
Easter, Hangar Bicocca, Milan
Galerie Krinzinger, Vienna |
| 2004 |
Sleeper, Neue Nationalgalerie, Berlin
Carlier Gebauer, Berlin
Presence 4: Mark Wallinger, Speed Art Museum, Kentucky
The Underworld, a new commission for the Laing Art Gallery, Newcastle-upon-Tyne
Anthony Reynolds Gallery, London |
| 2003 |
Christmas Tree, Tate Britain, London
The Sleep of Reason, The Wolfsonian, Florida
Via Dolorosa, Städtische Galerie im Lenbachhaus,
Munich
Spacetime, Carlier Gebauer, Berlin |
| 2002 |
Cave, Millenium Forum, Derry
Mark Wallinger - Seeing Things, Minoriten-Galerien
im Priesterseminar, Graz
Commission for Bloomberg Space, London
Promised Land, Tensta Konsthall, Spanga, Sweden
Ecce Homo, Glynn Vivian Art Gallery, Swansea |
| 2001 |
Anna Schwartz, Melbourne
No Man's Land, Whitechapel Art Gallery, London
British Pavilion, The 49 th Venice Biennale, Venice
Time and Relative Dimensions in Space, University Museum
of Natural History, Oxford
Cave, Milton Keynes Gallery, Milton Keynes/ Southampton City Art
Gallery |
| 2000 |
Credo, Tate Gallery, Liverpool
Ecce Homo, Vienna Secession, Vienna
Galeria Laura Pecci, Milan
Threshold to the Kingdom, The British School, Rome |
| 1999 |
Lost Horizon, Museum für
Gegenwartskunst, Basel
Ecce Homo, The Fourth Plinth, Trafalgar Square, London
Prometheus, Portikus, Frankfurt
Mark Wallinger is Innocent, Palais des Beaux Arts, Bruxelles |
| 1998 |
The Four Corners of the Earth, Delfina,
London |
| 1997 |
Dolly Fiterman Fine Arts, Minneapolis
Dead Man's Handle, Canary
Wharf Window Gallery, London
The Importance of Being Earnest in Esperanto, Jiri
Svetzka Gallery, Prague
God, Anthony Reynolds Gallery, London
Deweer Art Gallery, Otegem, Belgium |
| 1995 |
Serpentine Gallery, London
Ikon Gallery, Birmingham |
| 1994 |
The Full English, Anthony Reynolds Gallery, London |
| 1993 |
Daniel Newburg Gallery, New York |
| 1992 |
Fountain, Anthony Reynolds Gallery, London |
| 1991 |
Capital, Institute of Contemporary Art, London
touring to Manchester City Art Gallery
Daniel Newburg Gallery, New York
Capital, Grey Art Gallery, New York |
| 1990 |
Stranger², Anthony Reynolds Gallery, London
School, Sophia Ungers, Cologne |
| 1988 |
Anthony Reynolds Gallery, London
Passport Control, Riverside Studios, London
Burgess Park, Nottingham Castle Museum, Nottingham |
| 1986 |
Hearts of Oak, Anthony Reynolds Gallery, London |
| 1983 |
The Minories, Colchester |
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| Group Exhibitions |
| 2010 |
CUE: Artists’ Videos, Vancouver Art Gallery
The Beauty of Distance: Songs of Survival in a Precarious Age, Bienniale of Sydney, Australia
Restless Empathy, Aspen Art Museum, Aspen
|
| 2009 |
The British Pavilion at the Venice Biennale, Whitechapel Gallery, London
British Subjects 1948-2000, Neuberger Museum of Art, New York
Mark Wallinger Curates: The Russian Linesman, Hayward Gallery, London / Leeds Art Gallery, Leeds / Glynn Vivian, Swansea
Only The Lonely, Anthony Reynolds Gallery, London
Contemporary Video Art; Pennsylvania Academy of the Fine Arts, Philadelphia
Get Your Juicy Plums Here!, Omni Color & K2 Screen, London
This World and Nearer Ones, Creative Time, Governors Island, New York
Inappropriate Covers, David Winton Bell Gallery, Brown University, Rhode Island
5 Sculptures, Anthony Reynolds Gallery, London
Heaven, 2nd Athens Biennale, Athens |
| 2008 |
The ICA Auction, ICA, London
Tales of Time and Space, Folkestone Triennial, Folkestone
Selected Works by Gallery Artists, Anthony Reynolds Gallery, London
Comme des Betes, Musee Cantonal des Beau-Arts, Lausanne
On Time: The East Wing Collection VIII, The Courtauld Institute of Art, London
Collection Videos & Films; Isabelle & Jean-Conrad Lemaitre, Kunsthalle zu Kiel, Germany
History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo |
| 2007-2008 |
Stardust ou la dernière frontière, MACVAL, Vitry sur Seine, France
|
| 2007 |
The Turner Prize, Tate Liverpool, Liverpool
Museum of Modern Art – Centre Pompidou, Paris
Zone, Münster Sculpture Project, Münster
The End, Whitney Museum of American Art, New York
Dark Mirror, Netherlands Media Art Institute/ Montevideo, Amsterdam
Timer 01 intimita/ Intimacy, Fondazione La Triennale di Milano / Triennale-Bovisa, Milan
Darkness, Visible, touring exhibition, Southampton City Gallery
You’ll Never Know: Drawing and Random Interference, touring exhibition, Tullie House Museum and Art Gallery, Carlisle
Schmerz, Nationalgalerie im Hamburger Bahnhof, Berlin |
| 2006 |
Artprojx, Prince Charles Cinema, London
Belief, Singapore Biennale 2006, Singapore
Protections, Kunsthaus Landesmuseum Graz
Wondering Stars, gana Art Center, Seoul, Korea (cat.)
Choosing my Religion, Kunstmuseum Thun
How to Improve the World, Hayward Gallery, London
The Calouste Gulbenkian Foundation and British Art, Tate Britain, London
Museum für Gegenwartskunst, Basel
You’ll Never Know: Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn You’ll Never Know: Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn
Vivian Art Gallery, Swansea; The Lowry, Salford; New Art Gallery, Walsall; Tullie House Museum and Art Gallery, Carlisle
New Mystics, Tenerife
Four Winds, Farnborough Business Park, Farnborough
Responding to Rome 1995- 2005, Estorick Collection, London
|
| 2005 |
Variety, De La Warr Pavillion, Bexhill on Sea
Rundlerwelten, Martin Gropius Bau, Berlin
When Humour Becomes Painful, Migros Museum fur Gegenwartskunst, Zurich
London Calling, Galleri Kaare Berntsen, Oslo
The Experience of Art, Italian Pavillion, La Biennale di Venezia, Venice
Miradas y Conceptos, MEIAC, Badajoz
The Fifth Gospel, Likovni Salon, Celje
Chronos, Centro Sperimentale per le Arti Contemporanee, Caraglio, Cuneo
Critics Choice, FACT, Liverpool
The World is a Stage, Mori Art Museum, Tokyo
Il colore della vita – omaggio a Piero Siena, Castel Mareccio, Museion, Bolzano
OUTPOST, Stephen D Paine Gallery, Massachusetts College of Art |
| 2004 |
Contested Fields, Des Moines Art Center, Iowa
De Leur Temps, Collections Privées Francaises, Musée des Beaux-Arts de Tourcoing, Tourcoing
Gifted, The Art Gallery, University of the Arts, London
On Side, Centro de Artes Visuais, Coimbra
Things Domestic (selected work from the Arts Council Collection), Towner Art Gallery, Eastbourne
Between above and below, Bard Center for Curatorial Studies, New York
Presence – Images of Christ for the Third Millennium, Lincoln Cathedral & the Usher Gallery
The Human Condition. The Image of Man in Art, The City History Museum of Barcelona, Barcelona |
| 2003 |
Contemporary Art in the Traditional Museum,
Russian Museum, St Petersburg
Peter Blake - Sculpture, London Institute Gallery, London
Round Table, MOT, London
A Bigger Splash: British Art from Tate 1960-2003, Pavilhão
Lucas Nogueira Garcez, Sao Pãulo
Independence, South London Gallery, London
Warum! Ebenbild - Abbild - Selbstbild, Martin - Gropius Bau, Berlin
nation, Frankfurter kunstverein, Frankfurt
Horse, The Study Gallery, Dorset
Rituals, Berlin Academy of Arts, Berlin
Sanctuary, Gallery of Modern Art, Glasgow
Micro/Macro - British Art 1996-2002, Kunsthalle
Mucsarnok, Budapest
Thatcher, The Blue Gallery, London
Body Matters, The National Museum of Contemporary
Art, Oslo
Someone to Watch Over Me, Smart Project Space, Amsterdam |
| 2002 |
Mensaje de Texto, Helga de Alvear, Madrid
Real Life, Tate St. Ives
In Light, Art Gallery of Ontario, Toronto
Sphere, loans from the nvisible Museum,
Sir John Soane's Museum, London
Les Enfants du Paradis, Yvon Lambert, Paris
Blow up your TV, York City Art Gallery, York
Ommegang-Circumflexion, Bruges
The Anatomy of the Horse - Mark Wallinger and George Stubbs, Harewood
House, Leeds
Location: UK, Gimpel Fils Gallery, London
Faux/Real, Borusan Art & Culture Centre, Istanbul
THE GAP SHOW - Young Critical Art from Great Britain, Museum as Ostwall,
Dortmund
Family, The Aldrich Museum of Contemporary Art, Connecticut
Con Art: Magic / Object / Action, Site Gallery, Sheffield and
tour to Glynn Vivian Gallery, Swansea
Painting as a Foreign Language, Edifício
Cultura Inglesa / Centro Brasileiro Britânico, Sao
Paulo
(curated by Gerard Hemsworth)
Sidewinder, The Centre of International Modern Art, Calcutta / The
India Habitat Centre, New Delhi /
The National Gallery of Modern Art, Mumbai (curated by Gerard Hemsworth) |
| 2001 |
Project: Film and Video, Cheltenham Pump Room,
Cheltenham (curated by Terry Smith)
Purloined, The Studio Museum in Harlem, New York
Looking at You - Kunst Provokation Unterhaltung Video, Kunsthalle
Fridericianum, Kassel
Century City: Art and Culture in the Modern Metropolis, Tate Modern,
London
'Heads and Hands' - A WPA\C, Project
at Decatur House Museum, Washington DC
City Racing 1988-1998: a partial account, ICA, London (curated by
Mathew Higgs) |
| 2000 |
Ghosts, Delta Axis, Memphis
Seeing Salvation, National Gallery,
London
On the Frac Track (Text as Image), Sevenoaks
Library Gallery, Kent / Maidstone Museum & Bentlif Art Gallery,
Kent / Rochester Art Gallery, Kent /
Maidstone Library Gallery, Kent / The Royal Museum & Art Gallery, Canterbury,
Kent / Sassoon Gallery, Kent
Vision Machine, Musee des Beaux-Arts de Nantes, Nantes |
| 1999 |
The Sultan's Pool, Jerusalem
Officina Europa, Villa delle Rose, Galleria d'Arte
Moderna, Bologna and tour
Changement d'air, Musée d'art moderne Lille Métropole,
Villeneuve d'Ascq
Il luogo degli angeli, San Michele and Museo Laboratorio, San Angelo
and tour
Il passato nel Presente, Maze Art Gallery, Turin
Fourth Wall, National Theatre, London (curated by PADT)
L'Art et l'Ecrit, Espace Sculfort, Maubeuge |
| 1998 |
Contemporary British Artists, Denver Art Museum,
Denver
Shunted, Sheffield
Il passato nel Presente, The Tannery,
London
1st Biennale de Montreal, Montreal
Book, Djanogly Art Gallery, Nottingham
Heatwave, Electricity Showroom, London
U.K Maximum Diversity, Benger Areal, Bregenz
Anthony Reynolds Gallery, London
Made in London, Museu de Electricidade, Lisbon
Heatwave, The Waiting Room, Wolverhampton
Drawing Itself, The London Institute
Feeringbury VIII - Cultivated, Feringbury Manor, Essex
Dissin' the Real, Lombard Fried Gallery, New York, Galerie Ursula Krinzinger,
Vienna
Wounds, Moderna Museet, Stockholm |
| 1997 |
Treasure Island, Centro de Arte
Moderna José de Azerdo Perdigâo
P..er.sonal...Absurdities, Galerie Gebauer, Berlin
2nd Johannesburg Biennale, Johannesburg
5th Istanbul Biennale, Istanbul
Sensation, Royal Academy of Arts,
London; Hamburger Banhof, Berlin
Dimensions Variable: Works from the British Council Collection, Helsinki
City Art Museum and tour to Stockholm, Kiev, Warsaw, Chemnitz, Darmstadt,
Prague, Bratislava, Zagreb, Vilnius, Budapest, Bucharest
Pictura Britannica, Museum of Contemporary Art, Sydney/
Art Gallery of South Australia, Adelaide/ Te Papa, Wellington, New Zealand
Pledge Allegiance to a Flag? London Printworks
Trust, London
Animal, CCA, Glasgow |
| 1996 |
10th Biennale of Sydney, Sydney
Offside!, Manchester City Art Gallery, Manchester
Anthony Reynolds Gallery, London
Rhona Hoffman Gallery, Chicago |
| 1995 |
The Turner Prize, Tate Gallery,
London
The British Art Show, Manchester and tour
John Moores Exhibition 19, Walker Art Gallery, Liverpool
The Art Casino, Barbican Art Gallery, London |
| |
1994 Art Unlimited, Arts Council Touring Show
A Painting Show, Deweer Art Gallery, Otegem
Idea Europa, Palazzo Publico, Siena
Seeing the Unseen, nvisible Museum, Thirty Shepherdess Walk, London
Art Boutique, Laure Genillard Gallery, London
Untitled Streamer Eddy Monkey Full Stop Etcetera, Anthony Reynolds
Gallery, London
Here and Now, Serpentine Gallery, London
Five British Artists, Galleri Andrehn Schiptjenko,
Stockholm
Not A Self Portrait, Karsten Schubert Gallery, London
Every Now and Then, Rear Window / Richard Salmon, London
Jet Lag, Galerie Martina Detterer, Frankfurt |
| 1993 |
Junge Britische Kunst, Art
Cologne
MA Galerie, Paris
Mandy loves Declan 100%, Mark Boote Gallery, New York
You've Tried the Rest, Now Try the Best, City Racing, London
Spit in the Ocean, Anthony Reynolds Gallery, London
Young British Artists II, Saatchi Collection, London |
| 1992 |
Let Me Look, San Miniato
Whitechapel Open, Clove Building, London |
| 1991 |
Confrontaciones, Palacio de Velasquez, Madrid
Kunstlandschaft Europa, Kunstverein Karlsruhe |
| 1990 |
Australian Sculpture Triennial, National
Gallery of Victoria, Melbourne
The Köln Show, Cologne |
| 1989 |
Über Unterwanderung, Galerie Sophia Ungers,
Cologne
Anthony Reynolds Gallery, London
Excommunication: Some Notions on Marginality, Grey Art Gallery, New
York
Einleuchten: Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg
Territories, Chisenhale Gallery, London |
| 1988 |
The New British Painting, The Contemporary Arts
Center, Cincinnati, and tour
Image and Object: Aspects of British Art in the 1980's, City Museum
and Art Gallery,
Stoke-on-Trent
Something Solid, Cornerhouse, Manchester
Sculptures, Koury Wingate, New York
Cries and Whispers, paintings of the Eighties in the British Council
Collection, touring Australia |
| 1987 |
Palaces of Culture: The Great Museum Exhibition, City
Museum and Art Gallery, Stoke-on-Trent
State of the Nation, Herbert Art Gallery, Coventry
Appropriate Pictures, Anthony Reynolds Gallery, London
Serpentine Gallery, London (Stuart Brisley, Ken Currie, Glenys Johnson, Mark
Wallinger) |
| 1986 |
Neo Neo-Classicism, Edith C Blum Art Institute,
Bard College, Annandale-on-Hudson, New York
New Art, Anthony Reynolds Gallery, London
Unheard Music, City Museum and Art Gallery, Stoke-on-Trent
The Exhibition Gallery, Milton Keynes
Canvass: New British Painting, John Hansard Gallery, Southampton |
| 1985 |
New Art 2, Anthony Reynolds Gallery, London
Prelude, Kettle's Yard, Cambridge |
| 1984 |
Whitechapel Open, Whitechapel Art Gallery, London |
| 1982 |
Space Invaders, St Mary's Art Centre, Colchester |
| 1981 |
New Contemporaries, ICA, London |
| |
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| Exhibitions Curated |
| 2009 |
Mark Wallinger Curates: The Russian Linesman, Frontiers, Borders and Thresholds, Hayward Gallery, London / Leeds Art Gallery, Leeds/ Glynn Vivian, Swansea |
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| Screenings |
| 2008 |
The Lark Ascending, Sonic Illuminations, BFI, London
The End, Glasgow Film Festival, Scotland |
| 2007 |
The End, Whitney Museum of American Art, New York
Sleeper, Artprojx, Anthology Film Archives, New York |
| 2006 |
The End , Prince Charles Cinema, London |
| 2005 |
Film & Media Arts Festival, Berwick upon Tweed (cat.ill.)
Stroom, The Hague. |
| 2004 |
57 Festival Internazionale del film Locarno, 4-14 August, Switzerland
The Lark Ascending, Prince Charles Cinema, London |
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Talks and lectures |
| 2009 |
Mark Wallinger, Artist Talk, The Russian Linesman, Frontiers, Borders and Thresholds, Hayward Gallery, London |
| 2007 |
‘Artist Talk, Mark Wallinger’, Mark Wallinger: State Britain, Tate Britain, London
Contemporary Sculpture and the Social Turn’, on Skulptur Projekte Muster 07, talk chaired by Dr Achim Borchardt-Hume, Tate Modern., London
Zoë Walker & Neil Bromwich in conversation with Mark Wallinger and Mark McGowan; chair: JJ Charlesworth, Institute of Contemporary Arts, London |
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Events |
| 2007 |
Protest, ‘Late at Tate Britain’, Tate Britain, London |
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Television broadcast |
| 2007 |
Mark Wallinger, South Bank Show, ITV 1, 4th March |
| |
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| Bibliography - Publications and Catalogues |
| 2009 |
Mark Wallinger, The Russian Linesman, Frontiers, Borders and Thresholds, Hayward Publishing |
| 2008 |
Qu’est-ce que l’art video aujourd’hui?, Beaux Arts Editions
Mark Wallinger, edited by Madeleine Schuppli and Janneke de Vries, JRP/Ringier, Switzerland
Folkestone Triennial, Tales of Time and Space, edited by Andrea Schlieker, The Creative Foundation
The Speed Art Museum, Highlights From The Collection, The Speed Art Museum
History In The Making: A Retrospective of The Turner Prize, Mori Art Museum, Tokyo
Collection Video & Film, Isabelle & Jean- Conrad Lemaître, Kunsthalle zu Kiel, Kiel |
| 2007 |
Schmerz, Nationalgalerie im Hamburger Bahnhof, Berlin
Schlaf & Traum, Deutsches Hygiene-Museum Dresden, Wellcome Collection London, Bohlau Verlag |
| 2006 |
New Art on View, Sheila McGregor, Southampton City Art Gallery
Belief, Singapore Biennale 2006 (cat.)
‘Mark Wallinger’, Une Vision du Monde la Collection Video d’Isabelle et Jean-Conrad Lemaitre, Paris (cat.) |
| 2004 |
Photofinish, edited by Marco Delogu and Massimo Reale, Roma
On Side, Centro de Artes Visuais, Coimbra
The human condition The dream of a shadow, Barcelona Forum 2004 and Institut de Cultura de Barcelona – Museu d’Historia de la Ciutate de Barcelona (MHCB) |
| 2003 |
Warum! Bilder diesseits und jenseits des Menschen,
Martin-Gropius-Bau, Berlin
Sanctuary - Contemporary Art and Human Rights, Gallery
of Modern Art, Glasgow
Micro/macro - British Art 1996-2001, text by Alex Farquharson,
Mucsarnok Kunsthalle, Budapest |
| 2002 |
THE GAP SHOW - Young Critical Art from Great Britain, Museum
as Ostwall, Dortmund
Ommegang-Circumflexion, Bruges
Painting as a Foreign Language, Edifício
Cultura Inglesa / Centro Brasileiro Britânico, Brasil
Family, The Aldrich Museum of Contemporary Art, Connecticut
Faux/Real, Borusan Art & Culture Centre, Istanbul |
| 2001 |
Mark Wallinger - British Pavilion, The 49 th Venice
Biennale 2001 text by Ralph Rugoff,
The British Council, London
Time and Relative Dimensions in Space text by Marco Livingstone, University
Museum of
Natural History / Ruskin School of Drawing and Fine Art, Oxford
Mary Warnock and Mark Wallinger (Eds) Art for All? Their Policies and our
Culture, Peer, London |
| 2000 |
Mark Wallinger - Prometheus Portikus Frankfurt
am Main
Mark Wallinger - Credo texts by Lewis Biggs, Ian Hunt
and David Burrows,
Tate Gallery Publishing, London
Seeing Salvation texts by Neil MacGregor and Erika Langmuir, BBC Publishing,
London
Louisa Buck Moving Targets 2 A User's Guide to British Art Now, Tate
Publishing
Locus Solus text by Paul Bonaventura, Locus + Newcastle-upon-Tyne
Mark Wallinger - Ecce Homo texts by Mikhail Bulgakov and Adrian Searle,
Vienna Secession, Vienna |
| 1999 |
Il luogo degli angeli, San Michele and Museo
Laboratorio, San Angelo
L'Art et L'Ecrit, Espace Sculfort, Maubeuge, Idem + Arts Frac Nord-Pas
de Calais
Louisa Buck, Moving Targets A User's Guide to British Art Now, Tate
Publishing, London
Officina Europa, texts by Renato Barilli, Edizioni Gabriele Mazzotta,
Bologna
Mark Wallinger is Innocent, text by Pier Luigi Tazzi, Société des
Expositions du Palais des Beaux-Arts
de Bruxelles / Delfina, London
Mark Wallinger - Lost Horizon, interview with the artist by Theodora
Vischer, text by Andrew Wilson,
Museum f ü r Gegenwartskunst, Basel |
| 1998 |
Book texts by David Bickerstaff
and Paul Bonaventura, Djanogly Art Gallery, University of Nottingham
U.K Maximum Diversity, text by Matthew Higgs, Benger Areal, Bregenz,
Galerie Krinzinger, Vienna
Made in London text by Richard Shone, Simmons & Simmons, London
Drawing Itself text by Gerard Wilson and Janice Hart,
The London Institute
Feeringbury VIII - Cultivated texts by Stephen
Hepworth, Katherine Wood and Sonia Coode-Adams, Firstsite / Curtain Road
Arts, London
Kevin Davey, English Imaginaries, Lawrence & Wishart
David Burrows (Ed) Who's Afraid of Red White & Blue? Attitudes to popular & mass
culture, celebrity, alternative & critical practice & identity politics
in recent British art, Article Press, Birmingham |
| 1997 |
Treasure Island, texts by Jorge Molder, Rui
Sanches, Ana de Vasconcelos e Melo, Alan Bowness,
Richard Cork, Gill Hedley, Andrew Renton, Bryan Robertson and Richard Shone,
Centro de Arte Moderna José de Azeredo Perdigâo, Fundacao Calouste
Gulbenkian, Lisbon
Virginia Button, The Turner Prize, Tate Gallery Publishing,
London
Pledge Allegiance to a Flag? interviews with artists by Steward Russell
and text by Nikos Papastergiadis, Printworks Trust, London
Pictura Britannica edited by Bernice Murphy, Museum
of Contemporary Art, Sydney
Dimensions Variable: New Works for the British Council Collection, text
by Ann Gallagher,
The British Council, London
Sensation: Young British Artists from the Saatchi Collection, texts
by Norman Rosenthal,
Richard Shone, Martin Maloney, Brook Adams and Lisa Jardine, Royal Academy of
Arts, London
5 th International Istanbul Biennial, text by Rosa Martinez, Istanbul
Foundation for Culture and Arts
Mark Wallinger, text by Donald Kuspit, Dolly Fiterman Fine Arts,
Minneapolis |
| 1996 |
Vade Mecum: A Compendium of New Art, texts by
Paul Bonaventura and Helen Cadwallader, Locus +, Newcastle-upon-Tyne
Jurassic Technologies 10 th Biennale of Sydney, edited
by Lynne Cook, The Biennale of Sydney
Jason Coburn, Hello, Artists in Conversation, The
Royal College of Art, London |
| 1995 |
John Moores Exhibition 19, text by Julian Treuherz,
National Museums & Galleries on Merseyside
Mark Wallinger, text by Jon Thompson, Ikon Gallery, Birmingham / Serpentine
Gallery, London
The British Art Show, texts by Richard Cork, Rose Finn-Kelcey and
Thomas Lawson,
The South Bank Centre, London
The Turner Prize text by Virginia Button, Tate Gallery Publishing,
London |
| 1994 |
Seeing the Unseen texts by
Mark Wadhwa, Walter Meyer, James Roberts, nvisible Museum
Every Now and Then Rear Window / Richard Salmon, London
Art Unlimited: Multiples from the 1960s and 1990s texts by Hilary Lane
and Andrew Patrizio, South Bank Centre, London
Mark Wallinger text by Jo Coucke, Deweer Art Gallery,
Otegem
Idea Europa, texts by Valeria Bruni, Omar Calabrese and Rita Selvaggio,
Contemporanea Editrice, Siena |
| 1993 |
Junge Britische Kunst text by Werner Krüger,
Art Cologne
Young British Artists II text by Sarah Kent, The Saatchi
Collection, London |
| 1992 |
Let Me Look text by Valeria Bruni, Stella Santacatterina,
Rita Selvaggio and Jon Thompson,
Commune di San Miniato
Whitechapel Open, Whitechapel Art Gallery, London |
| 1991 |
Kunstlanschaft Europa texts by Andreas Vowinckel,
Henry Meyric Hughes, Jonathan Watkins, Stefan Berg, Hans Gercke
and Martin Stather, Kunstverein, Karlsruhe
Confrontaciones texts by Henry Meyric Hughes, Felix Guisasola, Andrew
Renton and Teresa Blanch,
Instituto de la Juventud, Madrid |
| 1990 |
Australian Sculpture Triennial National Gallery
of Victoria, Melbourne |
| 1989 |
Über Unterwanderung text
by Jutta Koether, Galerie Sophia Ungers, Cologne
Nachschub, The Köln Show edited by Isabelle Graw,
Cologne |
| 1988 |
Einleuchten: Will, Vorstel und Simul in HH texts
by Harald Szeeman, Heinz Liesbrock,
Christoph Schenker and Stephan Schmidt-Wulffen, Deichtorhallen, Hamburg
Burgess Park interview with the artist, Nottingham Castle Museum,
Nottingham
The New British Painting texts by Edward Lucie-Smith,
Carolyn Cohen and Judith Higgins, Phaidon, Oxford
Image and Object: Aspects of British Art in the 1980s text
by Ian Vines, Stoke-on-Trent City Council,
Stoke-on-Trent
Something Solid text by Marjorie Allthorpe-Guyton,
Cornerhouse, Manchester
Cries and Whispers: New works for the British Council Collection text
by Lewis Biggs, The British Council, London
Passport Control, Riverside Studios, London / Anthony Reynolds Gallery,
London |
| 1987 |
Palaces of Culture: The Great Museum Exhibition text
by Graham Evans, City Museum and Art Gallery,
Stoke on Trent
State of the Nation text by Sara Selwood, Herbert Art Gallery, Coventry |
| 1986 |
Neo Neo-Classicism Edith C
Blum Art Institute, Bard College, Annandale-on-Hudson, New York
Unheard Music text by Emma Dexter, City Museum and Art Gallery, Stoke-on-Trent |
| |
|
| Bibliography - Articles |
| 2009 |
Lucy Steeds, ‘Mark Wallinger curates: The Russian Linesman’, Art Monthly, April
Lydia Slater, ‘Horsing About’, Evening Standard Magazine, 17 April
Anthony Byrt, ‘The Russian Linesman’, www.artforum.com, 7 April
‘Gigantic Animal News’, Art Monthly, March
Turia Tellwright, ‘Horse for a Kingdom’, Racing Post, 30 March
Deborah Orr, ‘Mark Wallinger’, The Independent Magazine, 14 March
Laura Cumming, ‘Roll up, roll up, the circus is in town’, The Observer, 8 March
Charles Darwent, ‘The Russian Linesman, Hayward Gallery, London’, The Independent, 22 February
Alice-Azania Jarvis, ‘Party of the week: making his Mark as curator’, The Independent, 20 February
Joanna Pitman, ‘The Russian Linesman at Hayward Gallery, London SE1’, The Times, 21 February
Laura McLean-Ferris, ‘Exhibitionist: The best art shows to see this week, The Guardian, 20 February
Ben Lewis, ‘Now you see it, now you don’t’, The Evening Standard, 18 February
Tom Lubbock, ‘Spot the links’, The Independent, 17 February
Hugh Reilly, ‘Illusions that can cross the line’, The London Paper, 17 February
Esther Addley, ‘Diary’, The Guardian, 17 February
Alastair Sooke, ‘The jumble of an ordered mind’, The Daily Telegraph, 16 February
Adrian Searle, ‘Let’s do the time warp again’, The Guardian, 16 February
‘Winning again by a brass neck’, The Sunday Times, 15 February
Tim Adams, ‘Mark Wallinger’, The Observer, 15 February
Paul Vallely, ‘Mane attraction’, The Independent, 14 February
Richard Morrison, ‘Do we need serious art for serious times or serious fun?’, The Times, 14 February
Ian Jack, ‘This horse isn’t so huge in Ebbsfleet’, The Guardian, 14 February
‘One hourse race: Wallinger wins Ebbsfleet sculpture commission’, www.flashartonline.com, 13 February
Arifa Akbar, ‘The Diary: Kate Winslet; Mark Wallinger; Sir Ian McKellen; Charlotte Roche’, The Guardian, 13 February
‘One horse race: Wallinger wins Ebbsfleet sculpture commission’, www. flashartonline.com, 13 February
Mark Hudson, ‘Mark Wallinger’s white horse is a winner’, The Telegraph, 12 February
Jilly Cooper, ‘Did it have to be a horse?’, The Guardian, 12 February
Peter Walker, ‘The man is a genius – there’s no question about it’, The Guardian, 12 February
Melanie Reid, ‘It’s a racing cert this horse will be a winner’, The Times, 12 February
Roy Strong, ‘Roy Strong, scourge of so much modern art, champions the wonder horse’, Daily Mail, 12
February
Rachel Campbell-Johnston, ‘Bold, simple design will make an instant impact’, The Times, 11 February
‘Mark Wallinger installs mirrored ‘Tardis’ at The Hayward’, www.london-se1.co.uk, 11 February
‘Giant horse to tower over UK countryside’, www.cnn.com/europe, 10 February
Pete Norman, ‘Huge horse to be ‘Angel of the South’, www.sky.news.com, 10 February
‘Wallinger’s horse chosen to be Ebbsfleet’s Angel of the South’, The Guardian, 10 February
Fiona Macdonald, ‘Art that crosses the line’, The Metro, February
Eva Scarrer, ‘Mark Wallinger, Aargauer Kunsthaus’, Artforum, January |
| 2008 |
Charlotte Higgins, ‘Crossing the line: how disputed World Cup goal inspired show about illusions’, The Guardian, 16 December
Martin Herbert, ‘I Wallinger’, Modern Painters, September
‘Mark Wallinger’, www.likeyou.com , 1 September
‘Mark Wallinger in Aargauer Kunsthaus’, www.news.ch , 1 September
‘Aargauer Kunsthaus Presents Today Mark Wallinger Exhibition’, www.artdaily.com , 30 August
Sabine Altorfer, ‘Zwischen Himmel und Hölle’, MZ, 30 August
Michael Diers, ‘Art Protest and Politics, Notes on ‘State Britain’ by Mark Wallinger’, www.kunstmagazinberlin.de , 30 August
‘Turner Prize-winner Mark Wallinger in Aaragauer Kunsthaus, www.bluewin.ch , 28 August
‘Aargauer art with international art house’, www.zisch.ch , 28 August
‘Ingleby Gallery, Edinburgh’, www.wallpaper.com , August
Karen Wright, ‘Resurrection of Folkestone’, www.phillipsartexpert.com , 17 June
Martin Herbert, ‘Shabby Chic’, www.artforum.com, 16 June
‘What is the Folkestone Triennial?’, www.bbc.co.uk, 13 June
Alistair Sooke, ‘Folkestone: a place where nothing ever happens?’, www.telegraph.co.uk, 16 June
‘Meet the Artists’ and ‘Creating a Centre for Art’ Folkestone Triennial Guide, June
Oliver Marre, ‘Mark Wallinger, The artist gets back in the saddle’, The Observer, 11 May
Rachel Campbell-Johnston, ‘The big bold horse wins it hands down’, The Times, 8 May
Dalya Alberge, ‘Artist seeks to rival famous angel with a giant Stallion of the South’, The Times, 8 May
Tom Lubbock, ‘Colossal ideas… or the makings of a white elephant?’, The Independent, 8 May
Richard Dorment, ‘Towering ambitions’, The Daily Telegraph, 8 May
Aislinn Simpson, ‘Giant horse leads race to be ‘angel of the South’’, The Daily Telegraph, 8 May
Charlotte Higgins, ‘High horse. Plan for Britain’s biggest sculpture’, The Guardian, 8 May
‘Mark Wallinger’s Steel Racehorse Proposal’, Artforum.com/news, 8 May
Farah Nayeri, ‘Turner Winner Wallinger Dreams of Giant Horse, Dresses as Bear’, Bloomberg.com, 8 May
Nick Curtis, ‘Giant horse among runners to be ‘Angel of the South’’, Evening Standard, 7 May
Pascaline Vallee, ‘Revolutions Artistiques’, Mouvement, April-June
‘Exclusive interview with Jean-Conrad and Isabelle Lemaitre’, www.artcouncil.org.uk, online, 25 April
World War II RAF link inspires Tube artwork’, Metro, 17th March
‘Tube’s Mod remake’, The London Newspaper, 14 March
Artnotes, ‘Ebbsfleet’, Art Monthly, Issue 313, February
Feldmann, ‘Schonheit und Brutalitat des Lebens’, Dithmarscher Landeszeitung, 2 February
Nicole Busing and Heiko Klaas, ‘Poesie und Irritationen im Alltag’, Nordsee Zeitung, 30 January
Rachel Campbell Johnson, ‘It’s got to be striking and must stand up for a nation’, The Times, 29 January
Dalya Alberge, ‘Artists think big for £2m gateway to England’, The Times, 29 January
Belinda Grace Gardner, ‘Die bewegende Kunst der bewegten Bilder’, De Welt, 22 January
Clarrie Wallis, ‘State Wallinger’, Pluck, Issue #35, Spring |
| 2007 |
Mark Rappolt, ‘Tales from the city: Liverpool’, Art Review, Issue 17, December
Lynne Cooke,’ Mark Wallinger’, Artforum Best of 2007, December
‘You ask the questions…’ The Independent, 10 December
Lynne Gentle, ‘Sleeper Hit’, artforum.com/diary, 6 December
Charlotte Higgins, ‘It’s a good day for bears’, The Guardian, 5 December
Arifa Akbar, ‘Praise for Turner jury as prize goes to war protest’, The Independent, 4 December
Adrian Searle, ‘Critic’s view: Accessible, funny, and serious’, The Guardian, 4 December
Charlotte Higgins, ‘Wallinger takes Turner prize with re-creation of parliament protest’, The Guardian, 4 December
Peter Aspden, ‘Political art captivates Turner Prize panel’, Financial Times, 4 December
Nigel Reynolds, ‘War protest work wins Turner Prize’, The Daily Telegraph, 4 December
Tom Lubbock, ‘Wallinger is deserving winner’, The Independent, 4 December
Simon Kelner, ‘Bear with us’, The Independent, 4 December
Dalya Alberge, ‘Bearly believable? The Turner prizewinner’, The Times, 4 December
‘Anti-war camp copycat wins Turner Prize’, The Daily Express, 4 December
Alexa Baracaia, ‘Wallinger’s grizzly win’, The London Paper, 4 December
Paul Harris, ‘The bear that’s just walked off with the Turner Prize’, The Daily Mail, 4 December
Tom Reilly, ‘Bungle wins the £25,000 Turner’, The Sun, 4 December
‘Arti-war prize’, Daily Mirror, 4 December
‘Tate Liverpool’, e-flux, 4 December
Louise Jury, ‘Wallinger: Why I had to win the Turner’, thisislondon.co.uk, 4 December
Fiona Maddocks, ‘The Bear Man’, Evening Standard, 23 October
Tom Lubbock, ‘Why an artist dressed in a bear suit deserves’, The Independent, 19 October
Rachel Campbell-Johnston, ‘It’s a poor show – Turner disciples are about to have their faith tested’, The Times, 19 October
Louise Jury, ‘Grin and bear it…the Turner Prize show set to raise a smile’, Evening Standard, 18 October
Matthew Higgs, ‘Mark Wallinger’, Artforum, September
Ben Lewis, ‘It’s Turner Prize Time Again’, Financial Times, 29-30 September
‘Sculpture Projects in Münster’, Art Monthly, issue 309, September
Dietrich Diederichsen, ‘Muenster’, Frieze, September
Clifford Coonan, ‘BritArt goes east: Tracey’s bed is re-made in China’, The Independent, 6 July
Adrian Searle, ‘Peek-a-boo!’, The Guardian, 26 June
Dean Kenning, ‘You cannot be serious: Art Politics Idiocy’, Art Monthly, issue 307, June
Paul Bonaventura, ‘Mark Wallinger: State Britain’, Parkett, issue 79
Tom Morton, ‘Back – Mark Wallinger’, Frieze, May
‘Aftershock’, CGM (China), May
Grayson Perry, ‘Welcome to the feeding frenzy’, The Times, 9 May
Rebecca Rose, ‘War protest artist tipped do take Turner”, 9 May
Charlotte Higgins, ‘Political works to the fore in incredibly strong year’, The Guardian, 9 May
Dalya Alberge, ‘Placards and protest put up for the Turner’, The Times, 9 May
Nigel Reynolds, ‘Turner arts prize turns political’, Daily Telegraph, 9 May
Richard Dorment, ‘A grown-up and interesting shortlist of contenders’, Daily Telegraph, 9 May
Arifa Akbar, ‘Art takes back seat as politics and religion dominate Turner shortlist’, The Independent, 9 May
‘Peace protest replica in running for Turner Prize’, Morning Star, 9 May
Laurie Hanna, ‘Anti-war Parliament demo is up for Turner Prize’, Daily Mirror, 9 May
Louise Jury, ‘Anti-war protest is nominated for Turner Prize’, The Evening Standard, 8 May
‘Artwork based on atin-war campaigner’, News.bbc.co.uk, 8 May
Martin Herbert, ‘Mark Wallinger’, Modern Painters, April
Yves-Alain Bois, ‘Piece Movement’, Artforum, April
Art Obsevation (China), April
Richard Grayson, ‘Mark Wallinger’, Art Monthly, Issue 304, March
Christy Lange, ‘Captive Audience’, Tate Etc., Issue 9, Spring
Andrew Gilligan, ‘The art of propaganda’, The Evening Standard, 22 February
Charlotte Cripps, ‘Cultural Life, Mark Wallinger, Artist’, The Independent, 16 February
Carla Power, ‘Beyond the Barricade’, Newsweek, 12 February
Peter Campbell, ‘Peter Campbell at Tate Britain’, London Review of Books, 8 February
Afroditi Politi, ‘From the protest to the gallery’, Eleftherotipia (Greece), 25 January
‘The art of propaganda’, The Evening Standard, 22 January
Laura Cumming, ‘Anti-war demo? Let’s put the show on right here’, The Observer, 21 January
Charles Darwent, ‘When art takes to the barricades’, The Independent on Sunday, 21 January
Philip Hensher, ‘Is it art just because it’s in the Tate?’, The Mail on Sunday, 21 January
Waldemar Januszczak, ‘What do we want?’, The Sunday Times, 21 January
Amy Iggulden, ‘The modern art of protesting’, The Daily Telegraph, 16 January
Serena Davies, ‘The fine art of free speech’, The Daily Telegraph, 16 January
Tom Lubbock, ‘Voice from the gallery’, The Independent, 16 January
Adrian Searle, ‘Bears against bombs’, The Guardian, 16 January
Tim Teeman, ‘Protest loses its potency off the street’, The Times, 16 January
TomTeodorczuk, ‘Torn down by police, now Haw’s protest camp lives again at the Tate’, The Evening Standard, 15th January
Fisun Guner, ‘Exploring our freedom’, The Metro, 15 January
‘Makeshift protest camp’a work of art’’, The London Lite, 15 January
Olivia Cole, ‘Tate puts artistic bomb under Blair’, The Sunday Times, 14 January
Alastair Sooke, ‘In the studio’, The Daily Telegraph, 9 January |
| 2006 |
Charlotte Bonham-Carter, ‘Mark Wallinger’, Flash Art, November - December
Alice Henkes, 'Choosing my Religion im Kunstmuseum', Kunst Bulletin, 6 November
Marcus Field, ‘Films for People Who Don’t Like Video Art’, The Independent on Sunday, 1 October
Sarah Kent, Reviews ‘Mark Wallinger’, Time Out, 4-11 October
Lillian Davies, Critic’s choice ‘Mark Wallinger’, Artforum, October (online: artforum.com)
Critics Choice, 'Mark Wallinger', Time Out, 20-27 September
Simon Webb, ‘Crivelli’s Nail’, AN Magazine, April
Jackie Wullschlager, 'Off the Wall', Financial Times, April
Maurice Ulrich, 'Culture Visions du monde', L'Humanite', 14 March |
| 2005 |
Matt Saunders, 'Berlin', Artforum, best of 2005, December
Von Almuth Spiegler, Orgasmus unter Palmen, Die Presse, 5 December
Markus Mittringer, Im Niemandsland, Der Standard, 25 November
Rainer Metzger, Das Prinzip Intelligenz, Art Magazine, 25 November
'Artist Short’, Berwick upon Tweed, Film and Media Arts Festival, 16-25 September
‘Via Dolorosa, ha una capella Intermente dedicate all’arte contemporanea. Per sempre’, Provincia.Milano, 22
September
‘Arte Sacra del Terzo Millennio’, Chiesa di Milano, 21 September
‘Mark Wallinger- Via Dolorosa’, Exibart, 21 September
‘Mark Wallinger- Easter’, Undo.net, 23 September
Rosella Ghezzi, ‘Un inglese a Milano’, Vivi Milano, 21 September
Alessadra Mammi, ‘Christo si e fermato a Lodra’, L’espresso, 22 September
Angela Vettese, ‘Wallinger tra la cripta e l’hangar’, Domenica, Francesca Bonazzoli, ‘Credenti oppure no la mia arte e per tutti’, Corriere Della Serra, 22 September
Don Luigi Garbini, ‘L’Angelus Novus dell’arte sacra: il Duomo home theatre’, Il Riformista, 16 September
‘Don Garbin, ‘Aiutera la preghiera’, Corriere Della Serra, 22 September
Mark Wallinger, ‘Easter’, Corriere Della Serra, 22 September
Colin Gleadell, ‘Art hunters head for their prey’, Ats.Telegraph, 20 June
Marc Spiegler, ‘The Venice effect’, The Art Newspaper- Art Basel daily newspaper, 15 June
Adrian Searle, ‘Filth, blasphemy and big stars’, Guardian, June
Lynn Barber, ‘Anyone for Venice?, The Observer, 18 June
Mark Wallinger, ‘Sleeper’, Frieze, Issue 91, May
Tom Lubbock, ‘Eye Contact’, ArtReview, April
Sally O’Reilly, 'Things that go bump in the night: Mark Wallinger bears all', Modern Painters June |
| 2004 |
Sacha Craddock, ‘Embedded’, Contemporary Magazine, Issue 69
Paul Glinkowski, ‘Losing it in translation’, AN Magazine, December
Oliver Bennett, ‘Hellish Vision’, The Observer, 9 May
Rachel Withers, ‘Mark Wallinger’, Artforum, May
Catherine Parker, ‘Mark Wallinger’, Art Press, April
Sally O’Reilly, ‘Mark Wallinger’, Frieze, April
Oliver Zybok, ‘Kunst und Sport – Die inszenierung von körperlichkeit und bewegung’,
Kunstforum International, Bd. 169, Marz-April
Norbert Bolz, ‘Kunst und Sport – Sport als ästhetik der zukunft’, Kunstforum International, Bd. 169, Marz-April (ill.)
Jane Watts, ‘In Memorium’,a--n Magazine, March
Louisa Buck, ‘Three degrees of separation’, The Art Newspaper, February
Rowan Williams, ‘Imitations of Christ’, The Guardian, 31 January
Sarah Kent, ‘Mark Wallinger’, Time Out, 28 January – 4 February
Adrian Searle, ‘Mark Wallinger’, The Guardian, 21 January
Charles Darwent, ‘Mark Wallinger’, Metro, 20 January
Tom Lubbock, ‘Pitch-black perfect’, The Independent, 20 January
Charles Darwent, ‘At home in the kingdom of the strangely familiar’, The Independent on Sunday, 18 January
Laura Cumming, ‘Family favourites’, The Observer Review, 18 January
Fisun Güner, ‘Bring me light’, What’s On in London, 14 January
Fisun Güner, ‘Mark Wallinger: The artist ascending’, The Independent Review, 14 January
Jessica Lack, ‘Mark Wallinger’, The Guardian Guide, 10-16 January |
| 2003 |
Nigel Reynolds, 'Christ's birth inspired me, says creator
of Tate's tree', The Daily Telegraph,
13 December
Maev Kennedy, 'Traditional trappings, Artist trims Tate Tree', The Guardian,
13 December
Dalya Alberge, 'Tate tree gives rosary reminder', The Times, 13 December
Luke Leitch, 'Has the Tate finally lost its baubles?', Evening Standard,
12 December
Iain Gale, 'Art that will set you free', The Scotsman, 12 May
Christian Huther, 'Welt im Wandel', Main Echo, Aschaffenburg vom 14
June
Tobias Vogt, 'Warum! Martin-Gropius-Bau', Zitty, 13 June
Eliza Williams, 'Thatcher', Contemporary, Issue 53/53
Michael Binyon, 'Deface of the Nation', The Times, 18 April
'I wanted to invade her privacy (Thatcher)', The Guardian, 16 April
'Hungary for British art', Art Review, April
Gary Young, 'Much Ado About Nothing', Art Papers, January/February |
| 2002 |
Sophie Allgårdh, 'Wallinger ger oss en glimt av
det förlovade landet', Konst, 24 November
Andreas Johansson, 'Tre Fr å gor/Har du alltid velat bli Konstn ä r?', Observer,
22 November
Stina Högkvist, 'Borde jag ha läst Bibeln först?', Observer,
11 November
Eva Runefelt, 'V älkommen til världen', Observer, 8 November
Nils Forsberg, 'S å vitt vi ser', Observer, 31 October
Cristina Karlstam, 'På tröskeln till riket', KULTUR, 26
October
Av Katarina :Lööv, 'Söker andlighet I konsten', Broderskap, 25
October
Jens Nordqvist, 'Han gestaltar kampen mellan tro och tvivel', NYA DAGEN,
22 October
Carol Kino, 'Seeing and Believing', Art in America, October
Kate Mikhail, 'What's The Big Idea', The Observer Magazine, 22 September
Helen Hague, 'A classy, sexy two-horse race', The Independent, 30 August
Martin Gayford, 'George Stubbs and Mark Wallinger', The Sunday Telegraph,
11 August
Adrian Searle, 'Sculpture gives life to Christian symbolism', The Western
Mail, 4 May
Sarah Kent, 'On the Mark - the poetic logic of Wallinger's new show', Time
Out, 2 - 9 January
Chiara Leoni, 'Ready to Rumble', Flash Art Italia, December - January |
| 2001 |
Axel Lapp, 'It Ain't! Is It Not? Mark Wallinger and Robert
Gober at the 49 th Venice Biennale',
The Sculpture Journal VI
Cover story, pLUK, November - December
Mark Wilsher, What's On in London, 28 November - 5 December
Martin Gayford, 'Ordinary and Sublime', The Daily Telegraph, 28 November
Laura Cumming, 'A Matter of Life and Death', The Observer Review, 25
November
Richard Cork, 'Readings from Mark', The Times, 21 November
Fisun Guner, 'Let's get metaphysical', What's On in London, 21 November
Jonathan Jones, 'God's-eye views', The Guardian, 20 November
Tom Lubbock, 'It's a hit and myth affair', The Independent, 20 November
Richard Dorment, 'Pick of the week - Mark Wallinger', The Daily Telegraph,
10 November
Matthew Collings, 'Art Crazy Nation: The Post Blimey Art World', 21 Publishing
Ltd.
Charles Darwent, 'A poetic moment in an electric chair', The Independent
Nigel Farndale, 'Seeing the Light', The Sunday Telegraph Magazine,
4 November
Tom Lubbock, 'Wallinger and Religion', Modern Painters, Autumn
'Mark Wallinger on Whistlejacket', Private Passions - The Times, 3
October
Michael Archer, 'Preview - Mark Wallinger', Artforum, September
'Biennale Venedig', Frame, August - September
Rainer Metzger, 'The Englishness of English Art', Frame,
August - September
Marcia E. Vetrocq, 'Biennale Babylon', Art in America, September
Heinz-Norbert Jocks, 'Die Austellung im Innern des Kopfes', Kunstforum International,
August - October
Andrew Wilson, 'The Zones of Venice', Art Monthly, July - August
Sarah Kent, 'Venice Biennale', Time Out, 27 June - 4 July
Exhibition of the week: Venice Biennale, The Week, 23 June
Martin Gayford, 'States of bemusement', The Spectator, 23 June
Régis Durand, 'La tradition non conformiste', Art Press, June
Hans Pietsch, 'Der blinde Narr', Art das Kunstmagazin, June
Michael Kimmelman, 'Arty, Artful, Artless', The New York Times, 20
June
Waldemar Januszczak, 'A curious beast', The Sunday Times, 17 June
John McEwen, 'Pushy culture vultures', The Sunday Telegraph, 17 June
Craig Burnett, 'Fools Walk In ...', Modern Painters, Summer
Mark Irving, 'Cultural Geography: art versus power', Financial Times,
16 June
William Packer, 'Wallinger marks the spot', Financial Times, 16 June
Adrian Searle, 'Lagoon Show', The Guardian, 16 June
Arthur Smith, 'Watery Rave', The Guardian, 14 June
Richard Cork, 'Too many tours spoil the broth', The Times, 13 June
Richard Dorment, 'Wallinger's act of faith pays off', The Daily Telegraph,
13 June
Charles Darwent, 'Flying the flag at the Eurovision art contest', The Independent
on Sunday, 10 June
Mark Irving, 'Briton is the big draw as Venice Biennale opens', The Independent,
7 June
Nigel Reynolds, 'British artist flies the flag of controversy at Biennale',
The Daily Telegraph, 7 June
Dalya Alberge, 'Best of British misses the art of diplomacy', The Times,
7 June
Rachel Campbell-Johnston, 'The art before the horse', The Times, 4
June
Oliver Bennett, 'Taking a Tardis to the Venice Biennale', The Independent
on Sunday, 3 June
Rose Aidin, 'Profile: Mark Wallinger- Race, class and sex', The Independent,
2 June
Rachel Withers, 'Customs Man: Mark Wallinger', Artforum, Summer
'Mark Wallinger unveils new work at Museum', Oxford Blueprint, 31 May
Louisa Buck, 'Chigwell Conceptualist', Evening Standard, 31 May
Helen Hague, 'Conceptual without cliché', The Times Higher,
25 May
Stella Santacatterina, Flash Art, March-April
Martin Gayford, 'artists on art - Mark Wallinger', The Daily Telegraph,
3 March
Paul Bonaventura, 'The Culture of Command', Modern Painters, Spring
Tony Godfrey, The Burlington Magazine, January
Laura Cumming, 'An odds-on favourite', The Observer Review, 28 January |
| 2000 |
Anna Moszynska, 'Breeding and Healing', Art Review,
December/January
Mark Wallinger, 'Fool Britannia', The Guardian, 12 December
Sean Dodson, 'Artists who paint by digits', The Guardian, 30 November
Richard Ingleby, The Independent, 11 - 17 November
Lynn MacRitchie, 'Portraits of the artist', Financial Times, 10 November
Paul Bonaventura, 'Playful Art', New Statesman, 6 November
Helen Sumpter, 'Seeing is Believing', I-D Magazine, November
Nick Crowe, 'Football, The Lords Prayer and Heavy Metal - a peculiar kind of
nationhood'
Flux Magazine, October - November
Jonathan Jones, 'The Magical Mystery Tour', The Guardian, 28 October
Tom Lubbock, 'In the sweet hereafter', The Independent, 24 October
Joe Riley, 'Art can be fun', Liverpool Echo, 24 October
Martin Gayford, 'An Angel Underground', Sunday Telegraph, 22 October
RC, Guardian Guide, 21-27 October
Colin Gleadall, 'Contemporary Market', Daily Telegraph, 16 October
Simon Grant, 'From Jesus on a plinth to an angel on Merseyside', Independent
on Sunday, 15 October
'Mostre', Vogue-Italia, September
Daniele Perra, Tema Celeste Contemporary Art, July - September
Simon Grant, 'Soul Searching', Tate Magazine, Summer
Colin Gleadall, 'Edge of meaning and nonsense', The Daily Telegraph,
22 July
Marcus Mittringer, 'Sehet, welch ein Mensch!', Der Standard, 3 August
James Hall, 'Another Time, Another Place', Art Review, July-August
Ad.M., 'Wallinger per miracol mostrare', Il Giornale dell'Arte, July
Ca.C., 'Wallinger. Un Young British artist da scoprire', Arte, July
'Ecce Homo', Vivi Milano, 17 May
The Rt Revd. Richard Chartres, 'Ecce Homo', Oremus, March
Sian Ede, 'Bizarre Consequences' in Strange and Charmed,
Calouste Gulbenkian Foundation, United Kingdom Branch
Ann Treneman, 'Art, farce, politics and pigeons', The Times, 11 February
Lynn Barber, 'For Christ's sake', The Observer, 9 January |
| 1999 |
Adrian Searle, 'Brush Hour', The Guardian, 28
December
Kate Watson-Smyth and Fran Abrams, 'Captain Cook and Batman fight for a place
at the heart of nation', The Independent, 27 December
Jonathan Jones, 'Mark Wallinger's Christ', The Guardian, 27 December
James Hall, 'Short of statue', Artforum, November
Warren Hoge, 'A finishing touch', Vocable, 21 October-3 November
Lucy Lethbridge, 'The Plinth's Progress', ArtNews, October
Richard Dorment, 'Small figure makes a big impact', The Daily Telegraph,
25 August
Warren Hoge, 'A Finishing Touch for Trafalgar Square', International Herald
Tribune, 21-22 August
Warren Hoge, 'Plinth Seeks Occupant. Nelson will be Neighbour', New York
Times, 19 August
Phil Miller, 'New Statue of Jesus dwarfed by giants of Empire, The Scotsman
Mark Wallinger, My Week, The Independent, 24 July
Sir Roy Strong, 'Is this a fitting site for a statue of Jesus Christ?', Daily
Mail, 22 July
'Centre of attention, public statues', The Times (comment), 22 July
Dalya Alberge, 'Christ stirs passion in Trafalgar Square', The Times,
22 July
David Lister, 'Humble Christ beats war-like Thatcher', The Independent,
22 July
Will Bennett, 'Christ fills a gap in heart of London', The Daily Telegraph,
22 July
Alex Hendry, 'Jesus starts a new battle of Trafalgar', The Express,
22 July
'The plinth and the people', The Guardian 22 July
Adrain Searle, 'The day I met the son of God', The Guardian, 22 July
Fiachra Gibbons, 'Behold Jesus, just another ordinary bloke', The Guardian,
22 July
Stella Santacatterina, 'Mark Wallinger', Flash Art, March-April
Eleanor Heartney, 'Report from Montreal', Art in America, February
Neal Brown, Frieze, January-February |
| 1998 |
'Who's Afraid of Red White & Blue? Attitudes to popular & mass
culture, celebrity, alternative &
critical practice & identity politics in recent British art', Article Press,
Birmingham
John Tozer, 'From today painting is dead', Contemporary Visual Arts,
no. 21
Dan Glaister, 'Modern art to the rescue of Trafalgar Square's empty plinth', The
Guardian, 8 December
Matthew Collings, 'Battle of Trafalgar Square', The Observer, 6 December
Mark Currah, Time Out, 28 October- 4 November
Helen Sumpter, 'Mark Wallinger: The Four Corners of the Earth', The Big Issue, 12-18
October
The Guide 'Mark Wallinger', 3-9 October
The Guardian Space, 'Mark Wallinger: The Four Corners of the Earth',
9 October
1998 Exhibit:A, 'Mark Wallinger: The Four Corners of the Earth', September-October
ArtClub, Autumn
Contemporary Visual Arts, no. 20
The Artnewspaper, Vol.X, October
Helen Sumpter, 'Mark Wallinger: The Four Corners of the Earth',
Evening Standard, 1 October
John Harlow, 'Christ to get place in Trafalgar Square', The Sunday Times, 20
September
Ian Geraghty, 'Mark Wallinger', Untitled, Autumn
Duncan McLaren, 'The Four Corners', The Independent on Sunday, 8 November
Mark Wallinger, 'The Pygmalion Paradox', Art Monthly, July-August
'Minimalsport mit Erwin Wurm und vieles mehr', Kurier, 6 June
'Von Endorphinen, Salzgurken und Stromstößen, Der Standart,
5 June
Carol Kino, 'Dissin'the Real', Time Out New York, 10 March |
| 1997 |
'Mark Wallinger at Jiri Svestka', Flash Art, November-December
'The Art Pack', Elle, October
The Guardian, 19 September
Isobel Johnstone, 'Who's buying who?', The Guardian, 3 June
John Tozer, 'Mark Wallinger, God', Art Monthly, May
Jean-Marc Colard, 'Union Mark', Les Inrockuptibles, 23-29 April
Martin Coomer, 'Mark Wallinger', Time Out, 2-9 April.
Lottie Hoare, 'Mark Wallinger', Untitled, Spring
David Burrows, Ada Adekola, Yinka Shonibare, Mark Wallinger, Art Monthly, February
Ada Adekola, Yinka Shonibare, Mark Wallinger, Time Out, 22-29 January |
| 1996 |
Bridget Virden, 'Stud-U-Like', Homepage
Annie Griffin, 'Eyes on the ball' The Guardian, 10 June
Scottish Daily Mail, 23 February
The List, 8-21 March
'He's behind you!', The Sun, 23 February
Ian Gale, '20th Century Sporting Art', Country Life, 7 March
Tina Jackson, 'Mark Wallinger: Horse Crazy', The Big Issue, 12-18 February
Andrew Sim, 'A Real Work of Art', The Sporting Life, 29 January |
| 1995 |
Matthew Collings, 'The Art of Prize Fighting', The
Guardian, 28 November
Richard Dorment, 'Beauty amid the Beasts', The Daily Telegraph, 8 November
Richard Cork, 'Hirst commands two fronts', The Times, 7 November
Edward Gorman, 'leaky Works of Art put out to grass', The Times, 1
November
James Hall, 'Turner Exhibition comes alive and dangerous', The Guardian,
1 November
Dan Conaghan, 'Tate Shows Turner Prize Cream but not the
Cow', The Daily Telegraph,
1 November
Adrian Searle, 'The Thirst for Hirst', The Independent, 1 November
Paul Bonaventura, 'The Alternative British Art Show: Four Views', Untitled, Winter
Rupert Christiansen, 'Dark Horse of the Art World', The Daily Telegraph Magazine,
21 October
Mark Sladen, 'Mark Wallinger', Frieze, September-October
Mark Currah, 'Mark Wallinger in London', Untitled, Summer
Antony Thorncroft, 'Sheep leads the horses in Turner stakes', Financial Times,
22 July
Simon Wilson and Brian Sewell, 'Mark Wallinger's A Real Work of Art', Independent, 14
July
David Lister, 'It may win Prizes, but is it Art or Orifice?', Independent,
14 July
Dan Conaghan, 'Dead Mutton Dressed up as Sheep', The Guardian, 13 July
David Lister, 'Turner Artists inquires within', Independent, 13 July
Dalya Alberge, 'Colourful Rebels Vie for Turner Prize', The Times,
13 July
Mike Ellison, 'No Butts as Hirst is Tipped for Top Art Prize', The Guardian,
13 July
Mark Wallinger, 'A Brush with genius:1', The Guardian, 3 July
Louisa Buck, 'British Art: don't knock it', Independent Weekend, 24
June
Philip Vann, 'Backing the Right Horse', RA Magazine, Spring
Mark Sanders, 'Eye opener', The London Magazine, May
Robert Lloyd Parry, 'Ideas of Englishness', This is London, 9 June
Martin Gayford, 'Favourite with a Handicap', The Daily Telegraph, 7
June
Waldemar Januszczak, 'His Sporting Life', The Sunday Times, 4 June
Andrew Graham-Dixon, 'The British Art Buzz', Vogue, June
Sarah Curtis, 'Blood Lines', World Art, no.2
Sarah Kent, 'Race Relation', Time Out, 31 May-7 June
'London Review', Art Review, June
Richard Cork, 'Our Nation at Horseplay', The Times, 30 May
Londoner's Diary, Evening Standard, 23 May
Martin Vincent, 'Painters and Punters', New Statesman and Society,
19 May
What's Happening', Nine to Five, 15 May
William Packer, 'An Artist lays his Bets', Financial Times, 13-14 May
William Feaver, 'Horse for courses', The Observer Review, 19 March
'Mark Wallinger', Blueprint, March
Adrian Searle, 'Self Portrait as a pantomime horse', The Guardian, 7
March
Giles Coren, The Times
Geraldine Norman, The Independent on Sunday Review, 1 January |
| 1994 |
Mathew Collings, 'New London', The Daily Express,
5 September
Mark Currah, 'Every Now and Then', Frieze, June-July-August
William Harvey, 'Rear Window', Untitled, Summer
William Harvey, 'Curators Egg', Untitled, Summer
Jeffrey Kastner, 'Mark Wallinger', Flash Art, June
James Hall, 'The Guide', The Guardian, 11 June
Paul Bonaventura, 'An Equal Match?', Modern Painters, Spring
Dalya Alberge, 'Artist's latest work is a racing certainty for controversy',
The Independent, 14 May
Roger Bevan, 'The Horse as an Art Form', The Art Newspaper, May
David Lee, 'Update', Art Review, May
Mark Currah, 'Mark Wallinger', Time Out, 4-11 May
James Hall, 'Horsing Around', The Guardian, 25 April
Adrian Dannatt, 'Young British Art Now', The Sunday Times Magazine, 17
April
Paul Bonaventura, 'Turf Accounting: Mark Wallinger interviewed', Art Monthly,
April
Richard Dorment, 'Throw that work of art another bale of hay', The Daily
Telegraph, 17 March |
| 1993 |
Angela Choon, 'Openings', Art & Antiques, December
Bruno F Schneider, 'Mit drunem Licht zaubern', Kolnische Rundschau,
15 November
Bunte, 11 November
Kolner Stadt-Anzeiger, 5 November
Werner Kruger, Junge britische Kunstler, Weltkunst, 15 October
Andrew Renton, 'Young British Artists II', Flash Art, Summer
Craig Brown, 'Time for an Artful Dodge', The Evening Standard, 22 March
Simon Garfield, 'I like it, I'll take the lot', The Independent, 20
March
Peter Fleissig, 'Leche-Vitrine', Parkett, no 35
Julian Stallabrass, 'Young British Artists', Art Monthly, March
Stephen Pile, 'Don't put the Nail in the Coffin Yet', The Daily Telegraph,
18 February
William Packer, 'Young British Artists II at the Saatchi Gallery', Financial
Times, 16 February
Andrew Graham-Dixon, 'Radical chic and the schlock of the New',
The Independent, 16 February
William Feaver, 'Phew! What a freezer!', The Observer, 14 February
Sarah Kent, 'Blood Group', Time Out, 10-17 February
Sacha Craddock, 'Young British Artists', Untitled, Spring
Waldemar Januszczak, 'Blood and Thunder', The Guardian, 8 February
Tim Hilton, 'Familiar Signs of a misspent youth', The Sunday Review,
The Independent on Sunday, 7 February
David McKie, 'What You Read into It', The Guardian, 6 February
Richard Cork, The Times
Sarah Kent, 'Less is Gore', Time Out, 2-9 February
James Hall, 'Diary', The World of Interiors', February
William Feaver, 'The Second Coming', Vogue, February
Adrian Searle, 'Fools and Horses', Frieze, January-February |
| 1992 |
Stella Santacatterina, 'Mark Wallinger', Tema Celeste,
Winter
Juliet Art Magazine, Anno XII, December
Mario Manganiello, 'Artisti Inglesi Contemporanei A San Miniato',
Images; Art Life, November-December
Andrew Renton, 'Mark Wallinger', Flash Art, November-December
Andrew Wilson, 'Mark Wallinger', Forum International, November-December
Conor Joyce, 'Mark Wallinger', Art Monthly, November
Alessndro Tosi, 'Quel Magico Accordo', La Nazione, 5 November
Saretto Cincinelli, 'Let Me Look', Flash Art, October-November
Alberto Mugnaini, 'Luoghi Storici del Paese', Tema Celeste, October
Alessandra Gulotta, 'Let Me Look', Next, October
Fernando Arias, 'La renovacion de la pintura anglosajona', Hoja de Lunes,
Valencia, 15 July
Janet Koplos, Art in America, July
Jutta Koether, 'Mark Wallinger', Artscribe, Summer
Richard Cork, 'A picture of wealth', New Statesman Society, 31 May |
| 1991 |
Sacha Craddock, 'Truth or Dare?', The
Guardian, 28 May
Sarah Kent, Politics in Paint, Time Out, 15-22 May
Andrew Graham-Dixon, The Independent, 14 May
Dorothy Spears, 'Mark Wallinger', Arts Magazine, May
Levin, Choices, Village Voice, 26 February |
| 1990 |
Sarah Kent, 'Mark Wallinger', Time Out, 2-9
January |
| 1989 |
Michael Archer, 'Mark Wallinger', Artforum,
January |
| 1988 |
P H Meyer, 'Mark Wallinger', Juliet Art Magazine,
December-January
Brian Hatton, 'Mark Wallinger', Flash Art, November-December
Robert MacDonald, Time Out, 12-19 October
Mark Currah, City Limits, 29 September-6 October
Jude Schwendenwien, 'Sculpture, Koury Wingate', Artnews, Summer
Mark Edmund, 'Something Solid', Pulp Magazine, 10 May
David Lovely, 'Something Solid', Arts Review, May
Jutta Koether, Artscribe, May
Peter Fleissig, 'Artists for Architecture', Building Design, 18 March |
| 1987 |
John Glaves-Smith, 'Palaces of Culture', Art Monthly,
December-January
ES Magazine, Evening Standard, Friday 6 November
Andrew Graham-Dixon, 'A Museum of Mirrors', The Independent, 25 September
David Wickham, 'Building an art of stone', News on Sunday, 20 September
Nigel Reynolds, 'Art or Just brick-a-brac?', London Evening Standard,
14 September
'Ken Currie, Glenys Johnson, Mark Wallinger', The Observer, 1 February
Monica Petzal, 'Stuart Brisley, Glenys Johnson, Mark Wallinger, Ken Currie', Time
Out,
28 January-4 February
Waldemar Januszczak, 'Stuart Brisley at the Serpentine', The Guardian,
21 January
John Roberts, 'Mark Wallinger's History Paintings', Artscribe, January-February |
| 1986 |
Margaret Garlake, 'Canvas II', Art Monthly,
July-August
Tessa Sidey, 'Unheard Music', Arts Review, May
Monica Bohm-Duchen, Flash Art, April
Marjorie Allthorpe-Guyton, Artscribe, April-May
Clare Henry, Arts Review, 14 February
SC, 'A Mixed Message', London Week, 7-13 February
Waldemar Januszczak, The Guardian, 7 February
John Russell Taylor, 'Mark Wallinger: Hearts of Oak', The Times, 4
February
Mark Currah, City Limits, 31 January-6 February
Sarah Kent, Time Out, 23-29 January
R. Costa, 'London', Juliet, December-January
Marjorie Allthorpe-Guyton, 'New Art I and II at Anthony Reynolds Gallery', Artscribe,
December-January |
| 1985 |
Waldemar Januszczak, 'New Art', The Guardian,
27 August |
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